<?xml version="1.0" encoding="UTF-8"?>
<rdf:RDF xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns="http://purl.org/rss/1.0/" xmlns:dc="http://purl.org/dc/elements/1.1/">
  <channel rdf:about="http://117.239.156.194:8080/jspui/handle/123456789/60">
    <title>DSpace Collection:</title>
    <link>http://117.239.156.194:8080/jspui/handle/123456789/60</link>
    <description />
    <items>
      <rdf:Seq>
        <rdf:li rdf:resource="http://117.239.156.194:8080/jspui/handle/123456789/74" />
      </rdf:Seq>
    </items>
    <dc:date>2025-12-28T04:57:22Z</dc:date>
  </channel>
  <item rdf:about="http://117.239.156.194:8080/jspui/handle/123456789/74">
    <title>Political conscientisation through street theatre: a study with reference to Kalyanasaugadhikam</title>
    <link>http://117.239.156.194:8080/jspui/handle/123456789/74</link>
    <description>Title: Political conscientisation through street theatre: a study with reference to Kalyanasaugadhikam
Authors: A Y, Eldhose
Abstract: Theatre occupies a significant place in any revolutionary political strategy that has&#xD;
as its objective a radical transformation of society. This paper attempts to make a&#xD;
thematic and structural analysis of the Malayalam street play Kalyanasaugadhikam&#xD;
written by Anil Nadakavu in 2009 and performed by Manisha Theatres,&#xD;
Thadiyankovil, Kasaragod, Kerala, India. It is also an exploration into the politics&#xD;
behind the production and consumption of every cultural product in our society,&#xD;
with a special reference to the political implications and aesthetics offered by the&#xD;
street play Kalyanasaugadhikam</description>
    <dc:date>2014-03-01T00:00:00Z</dc:date>
  </item>
</rdf:RDF>

