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  <title>DSpace Collection:</title>
  <link rel="alternate" href="http://117.239.156.194:8080/jspui/handle/123456789/60" />
  <subtitle />
  <id>http://117.239.156.194:8080/jspui/handle/123456789/60</id>
  <updated>2025-12-28T04:57:22Z</updated>
  <dc:date>2025-12-28T04:57:22Z</dc:date>
  <entry>
    <title>Political conscientisation through street theatre: a study with reference to Kalyanasaugadhikam</title>
    <link rel="alternate" href="http://117.239.156.194:8080/jspui/handle/123456789/74" />
    <author>
      <name>A Y, Eldhose</name>
    </author>
    <id>http://117.239.156.194:8080/jspui/handle/123456789/74</id>
    <updated>2024-03-26T05:33:12Z</updated>
    <published>2014-03-01T00:00:00Z</published>
    <summary type="text">Title: Political conscientisation through street theatre: a study with reference to Kalyanasaugadhikam
Authors: A Y, Eldhose
Abstract: Theatre occupies a significant place in any revolutionary political strategy that has&#xD;
as its objective a radical transformation of society. This paper attempts to make a&#xD;
thematic and structural analysis of the Malayalam street play Kalyanasaugadhikam&#xD;
written by Anil Nadakavu in 2009 and performed by Manisha Theatres,&#xD;
Thadiyankovil, Kasaragod, Kerala, India. It is also an exploration into the politics&#xD;
behind the production and consumption of every cultural product in our society,&#xD;
with a special reference to the political implications and aesthetics offered by the&#xD;
street play Kalyanasaugadhikam</summary>
    <dc:date>2014-03-01T00:00:00Z</dc:date>
  </entry>
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